Many of the most well-known (and most enduring) songs are Christmas songs—scan through any hymnal, and you will be surprised about the percentage of songs that are devoted to Advent.
Not all Christmas songs are good, of course. In fact, some of them are particularly cheesy. But many more tend toward excellence than silliness, and the reason for this is simple: they start with the birth of the Savior.
But if they focus only on the birth, or the silent night, or the oxen and what-have-you, then they will be mired in shallowness. The reason many Christmas songs do become exceptional is because they don’t stay in the manger. Instead, they use the birth of Christ as a launching point to survey his life. The best of these songs even make it all the way to his cross and Second Advent.
This is true of all hymns, and not just Christmas ones. If any song is narrowly focused, or focused on the softness/stillness/nearness/gentleness of God, it will likely be a lame song. But if a song progresses through—from God in human flesh, to what that God did, to why he died, to his resurrection, and ultimately to eternity—then it is at least set up to be an exceptional song. Here are three Christmas songs that do just that: Continue Reading…